那裡魔神仔很多你還要回去
Well-Intentioned
魔神仔がいる場所へ、それでも 帰りたいの？
簡嫚君｜台灣｜2025｜30min｜Color｜普遍級
老家位於桃園航空城徵收區內，母親在搬遷前離世。她的「來不及」，促使我重返一個已不再屬於我們的家，展開紀錄行動。某次前往寫生時，父親提醒我：「那邊魔神仔很多，你還要回去？」我答：「不回去不行……」。
在土地被徵收、家族結構鬆動的過程中，身為女兒的我反覆返回現場，以身體介入，試圖在記憶與現實的斷裂之間，重新理解「家」的意義。本片透過父女對話及結合日記片段、寫生、繪畫、錄像與行為藝術，將片斷的過去與近乎荒蕪的現在重新拼接，記錄家園即將「被起飛」的地景樣貌，以及「家」如何在消失之中掙扎留下痕跡。
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My family home stood within the Taoyuan Aerotropolis expropriation zone. Before the relocation, my mother passed away, leaving behind a lingering sense of being “too late.” Drawn by this unresolved absence, I return to a house that no longer belongs to us, initiating a durational act of recording.
During a visit to sketch the site, my father warns, “There are many moshin-á (spirits) there. Do you still want to go back?” I reply, “I must.”
Moving between return and departure, I repeatedly enter the site with my body, tracing the fractures between memory and reality. Through intimate conversations with my father, alongside diary fragments, plein-air painting, video, and performative gestures, the film assembles a fragmented temporality—where a vanishing past and an almost desolate present converge.
As the landscape is gradually overtaken—set to “take off”—the film follows how the notion of “home” struggles to persist, leaving behind fragile yet insistent traces against the force of disappearance.
—
桃園エアロトロポリス開発事業に伴う立ち退きを前に、母がこの世を去った。「間に合わなかった」という深い喪失感に突き動かされ、私はもはや自分たちのものではないかつての実家へと戻り、記録を始める。写生に訪れたある日、父は「あそこには魔神仔（モーシンナア）が多い。それでも帰るのか」と問いかけ、私は「帰らなければならない」と答えた——映画のタイトルにもなった言葉である。本作は、父と娘の対話と身体を通した表現行為を通じて、消失へと向かう風景の中で失われゆく「家」の記憶と、その消失に抗いながら刻まれていく微細な痕跡を見つめる。
紀錄片已上架串流 YouTube / 公視+ / giloo
Documentary streaming release on YouTube / PTS+ / giloo
ドキュメンタリーを YouTube / 公視＋ / giloo で配信リリース
YouTube：https://youtu.be/MvQarnIwzH8?si=wCJ65l3-SCVqp_Z0
PTS+：https://reurl.cc/RkMXee
Creation statement
桃園航空城的土地徵收與外在環境的不可控，交織著原生家庭巨變帶來的撕裂感，與家人期待背道而馳，使我對「家」充滿糾纏與困惑。
在即將消失的老家周遭，我以「寫生」與「走動」——非單純觀察，而是與政治場域的微小角力。並透過擷取日記片段、繪畫、錄像與行為藝術，將片斷的過去與近乎荒蕪的現在重新拼接。
對我而言，創作是面對困境時，投向現實巨牆的一顆顆小石子，試圖鑿出一個洞，窺見牆後關於活著的其他可能。
The land expropriation of the Taoyuan Aerotropolis and uncontrollable shifts in the environment intertwine with upheavals within my family, leaving me with a profound sense of fragmentation. Divergent expectations have entangled my understanding of “home.”
Around my vanishing childhood home, I engage in “sketching” and “pacing”—not mere observation, but minute wrestlings within a political terrain. By retrieving fragments of diaries, paintings, videos, and performances, I reassemble a fragmented past with a nearly desolate present.
For me, creating is casting small pebbles against the towering wall of reality, attempting to carve a hole to glimpse other possibilities for living beyond it.
2026 桃園影展放映
📹
▸2026／08／16（日）10:30 SBC 星橋影城 20 廳
▸2026／08／19（三）15:40 統領威秀 8 廳
售票連結：https://www.opentix.life/event/2076914733936603137
首映資訊
📹2025.9.𝟏𝟒（日）11:00
▹中壢光影電影院◅◂
桃園市中壢區龍清街116巷31號
▹Accupass免費索票報名連結◅◂
https://www.accupass.com/go/TYdocs-pro-2025-004
✨本場有映後座談✨